Alistair Houghton meets JON CORNER, of Liverpool’s River
THE World Expo in Shanghai is not just a massive showcase for Liverpool
– it will also take River Media’s work to an audience of millions.
The company, led by creative director
has made 80 films that will be shown at Liverpool’s Shanghai pavilion.
They include a spectacular introductory 3-D film, featuring a Chinese
dragon and a Liver Bird soaring above Liverpool.
It’s the biggest project yet for River and proud Liverpudlian Corner has
enjoyed the “cultural challenge” of taking the wonders of his home city
to a Chinese audience.
Many of River’s Shanghai films use Liverpudlian Chinese speakers to give
the Shanghai audience an audio surprise.
“The idea is that they will hear Mandarin coming at them with our
accent,” said Corner.
“We had a focus group of Chinese people from the North West and they
gave us some great ideas and some great approaches we could take. This
was one of their suggestions – they like to hear English people having a
go at Chinese.
“We have used one amazing lad called Barry Cox, who’s a pop singer in
China. He’s a classic cheeky Scouser, but he’s fluent in Chinese.”
With millions of visitors milling around an Expo site that is larger
than Liverpool city centre, every pavilion will need to stand out.
Corner says his aim has been to create films that “get people talking
and wanting to know more about Liverpool and the North West”.
Visitors will be greeted by a video message from Sir Paul McCartney
before heading into a theatre for the first 3-D film.
“The film sets the scene for what an iconic and exciting city we are,”
River’s other films will be on display throughout the pavilion, whether
on huge plasma TV screens or on smaller touch- screens where visitors
can find more information on Liverpool.
Those films cover subjects from Liverpool’s musical history to
biochemistry and wealth management, and are aimed at potential tourists
and investors alike.
River has been working on the films since October.
“It’s been great fun and a great challenge,” said Corner. “We were
delighted to win this contract and we’ve risen to the challenge. The
timetable was always a challenge, but it’s meant we’ve had to work
The 3-D element of the project created its own challenges for River’s
Corner said: “When you make a 3-D film, you’ve got to make one film for
the right eye and one for the left eye. You converge them to get a 3-D
“It’s one film but you need two cameras and two sets of post-production
work. It’s a technical challenge.”
The 3-D films created files so enormous and needing such processing
power that River teamed up with Liverpool-based Render Nation, which
boasts a “farm” of hundreds of computers to allow it to process 3-D
“Just one scene with three flowers took over 100 computers three days to
process,” said Corner. “Every petal has got to be rendered twice so
they’re coming at you in 3-D.”
River’s work on the Shanghai project saw Corner work closely with
Liverpool Vision and, earlier this year, Corner joined the regeneration
He said: “I wanted to be involved with an organisation that was working
to make sure the success we are seeing in Liverpool goes to the next
“I want to make sure Liverpool gets better and better.”
Corner spent 15 years as a music producer at a time when the industry
was grappling with new digital recording techniques – a challenge which
taught him the importance of staying on the cutting edge of innovation.
He worked at Advision, then one of the West End’s most famous studios,
and worked with bands including the Pet Shop Boys and New Order – and
Italian chart-topper Pino Daniele.
“It was a very exciting work – it was the place in London,” he said.
He also began giving guest talks at universities, which made him realise
that he could make a career in the education sector.
In the mid-90s, Corner came back to his home town to settle.
“I came back because of my family, really,” he said. “I wanted my kids
to grow up in the city.
“Plus, Liverpool had changed. By the late 90s, we were well on our
journey, our renaissance.”
Corner became a senior lecturer at Knowsley College. He co-founded River
Media in 1998 as a “hobby” and to focus on visual art installations but,
as he built up a relationship with Sony, he decided to go full-time with
The recession has slowed Corner’s growth plans, but he is confident
River has a bright future.
“I’ve got big plans and big ambitions,” he said.
“We’re involved in cutting-edge content for outdoor exhibitions –
content for domes, cylindrical displays, international airports.
“We’re looking at auto-stereo content – 3-D content for plasma screens
you don’t need glasses for.”
River is also working on an introductory film for the new Museum of
Education is still close to Corner’s heart, and he is keen to ensure
that schools and colleges are turning out young people with the skills
needed to work in the creative industries.
He works with the NWDA to mentor graduates from Salford and Liverpool
John Moores universities, and is on the board of North Liverpool
He is also a member of the governing council at Salford University, and
is chairman for the executive committee of the university’s MediaCity
Corner worked on Salford’s bid to attract the BBC to the North West, and
is an evangelist for the £500m MediaCity project and what it could mean
for Mersey creatives.
“It’s going to be hugely beneficial to the city,” he said. “It’s a
tremendous opportunity for the talent pool in Liverpool to exploit
what’s on offer at MediaCity.
“We will see activity there exploding over the next five years.
“For Liverpool, there’s a tremendous long-term opportunity for us to
provide the talent pool that MediaCity is going to require.”
Corner stresses that technical skills will be as much in demand as
“People think they need to be directors or cameramen,” he said. “But
they won’t be the jobs on offer at MediaCity. The jobs there might be in
systems management, project management, or intellectual property work.
“This is Liverpool’s chance to be seen as a talent pool.”
Corner is a
Kate and Gerry McCann, whose daughter,
is still missing three years after she vanished in Portugal.
He has produced videos for the family to keep their campaign to find
Madeleine in the public eye – including one film released this month to
anniversary of her disappearance.
He said: “I’m working with Kate and Gerry to keep the message out there
that there’s a little girl we need to find.”
TO HELP the McCann family’s search for Madeleine, visit