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One thousand days after she disappeared, Madeleine McCann has
inspired a poem by Simon Armitage, the writer widely regarded as the
runner-up for last year’s poet laureateship.
The Beacon
is published in times2 today. A
handwritten copy will be auctioned tonight to raise funds for the
McCanns’ campaign.
It is not the first time that Armitage has composed verses about
events that impinge strongly on the public consciousness. He wrote a
poem for the fifth anniversary of 9/11, while his other works include a
commission for the 60th anniversary of VE-Day and Killing Time, a poem
celebrating the millennium.
Armitage accepted the commission, which came via Emma Loach, a
director who worked with Gerry and Kate McCann on a television
documentary and is a friend of Armitage, after he met the couple at
their home in Rothley, Leicestershire. “We talked about the night
Madeleine went missing, those terrible hours of darkness before they
could resume the search,” he said.
Madeleine, then aged 3, disappeared from the Portuguese resort of
Praia da Luz on May 3, 2007. Despite extensive publicity and a number of
unconfirmed claimed sightings, the Portuguese police have come no closer
to finding out what happened to her.
“On my part, like a lot of people, it’s something that, right
from the beginning, I felt moved by,” said Armitage said. The poem draws
on the imagery of the photograph of Madeleine in the missing poster and
the candle that her parents keep burning in a lantern in their village
square.
With the line “Somewhere out there there has to be life”, the
poem reflects the McCanns’ hope that , in the absence of any solid
evidence to the contrary, their daughter may still be alive.
“They have hope and that’s what keeps them going,” said Armitage
said. “For as long as that’s the case they have a parent’s duty and it’s
their fierce desire to keep looking for her.”
As part of events to mark the 1,000 days since the disappearance,
supporters of the McCanns in Britain, Portugal and the US will today
launch 1,000 glowing paper lanterns into the night sky.
The couple will also attend a £150-a-head dinner fundraising
event at Kensington Roof Gardens, in west London. It is understood that
those invited include Sir Richard Branson, who owns the venue, J.K.
Rowling and the couple’s millionaire backer Brian Kennedy. The McCanns
have spent hundreds of thousands of pounds on private detectives to
continue the search for their daughter.
Half the money raised will go to the McCanns’ fund to finance the
search for Madeleine and the rest will be split between the charities
Missing People and
Missing Children Europe. |
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A poem for Madeleine |
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Penny
Wark
From The Times January 27, 20100 |
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Simon
Armitage has combined personal and universal themes in the work he
created at the request of Kate and Gerry McCann |
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At first Simon Armitage wasn’t sure what to make of
the request. Would he consider writing a poem to mark the thousand days
since the disappearance of Madeleine McCann?
He felt awkward, he explains. “I said I didn’t
think I could do it. You know, the difficulty of writing something that
would need to be quite intimate and not wanting to poke around in their
grief and intrude. Then we talked about it a little more.”
The request came from the director Emma Loach, who
worked with Gerry and Kate McCann on a television documentary last year
and is also a friend of Armitage. Would he at least meet Kate McCann,
she suggested? He agreed. “I thought that was probably the only way of
doing it. I wanted to make sure that they were on board.”
And so the Yorkshire-based poet, a strong contender
for the poet laureate appointment last year, met Kate McCann at the
family’s home in Rothley, Leicestershire. As they talked, Armitage came
to understand the McCanns’ motivation, and how he might be able to help.
“They want to keep Madeleine alive
in lots of different ways,” he says.
“They want to keep the search for
her alive. I think also they want to
do things for her as any parent
would. On my part, like a lot of
people, it’s something that right
from the beginning I felt moved by.
“To function as a poet you’ve got to
have a certain amount of detachment.
But to make the poem work for the
McCanns, and for it to be meaningful
as a piece of writing, you need to
know what they think and to have a
bit more of a feeling for it. One of
the things I talked to Kate about
was how difficult it must be to keep
out that fear and that doubt and
darkness. We talked about the night
Madeleine went missing, those
terrible hours of darkness before it
became light again and they could
resume the search. It was like
meeting in the middle.”
He
asked for some details to inform his
poemand in response Gerry and
Katewrote him a couple of pages
about Madeleine, their thoughts and
feelings. Through that, Armitage
learnt of the candle they keep
burning in a lantern in their
village square.
“That’s how it works with a poem
sometimes, just one little thing.
I’d been looking at the photograph
that was used of Madeleine in the
campaign, where you can see the
fleck in her eye. I found myself
thinking about Jupiter. If you look
at Jupiter there’s something bottom
left that they call the great red
spot. It’s an anticyclone thousands
of miles across that looks like a
little eye to us, like a fleck in
the planet’s face. Then I started
thinking, is there life out there?
“That became the conceit for the
poem, looking out for signs of life
and the idea of keeping a light
burning here for life looking back
this way. The McCanns are
optimistic, I think you can call
that optimism hope. They have hope
and that’s what keeps them going.
One thing Kate will say is that they
don’t have any concrete evidence to
say that she’s dead. For as long as
that’s the case, they have a
parent’s duty and it’s their fierce
desire to keep looking for her. And
they have faith, they are strong
Roman Catholics. That sense of
lighting a candle, saying a prayer,
keeping hope burning — I was trying
to tap into that as well.”
The result, a sonnet, was also
informed by his own experience of
being the father of a ten-year-old
daughter, Armitage acknowledges.
“Parents can identify with the
McCanns losing something that is
your whole world, around which
things orbit. For most of us it’s an
unimaginable loss. That’s one of the
reasons that their story is so
powerful.”
The McCanns have described the poem
as “beautiful” and have told
Armitage that it captures many of
their feelings and the issues around
the loss of their daughter.
Armitage responds by saying that
this is what he does. His ability to
write with intimacy and yet without
intruding is partly because he is no
stranger to writing about topical
and sensitive events. His poem
Out of the Blue was a response
to the fifth anniversary of 9/11.
He
has given the McCanns a handwritten
copy of this poem that will be
auctioned tonight at an event to
raise funds for their campaign. He
will also sign over the copyright to
them. “They can do whatever they
want with it,” he says. “This is my
way of trying to do something.”
www.findmadeleine.com
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Simon Armitage's
Madeleine
McCann poem |
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TIMES: WEDNESDAY 27 JANUARY 2010 |
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The Beacon
Dusk, doubt, the growing depth of
an evening sky,
dark setting in as it did that
night,
the forever vastness of outer space
reflecting the emptiness here
inside,
shadowing, colouring, clouding the
mind.
But somewhere out there there has to
be life,
the distance only a matter of time,
a world like our own, its markings
and shades
as uniquely formed as a daughter’s
eye,
distinctly flecked, undeniably hers,
looking back this way through the
miles and years
to
a lantern cupping a golden blaze,
its candle alive with a fierce
blonde flame
for the thousandth time, for as long
as it takes.
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KENSINGTON ROOF TOP
GARDENS |
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1,000 DAYS IMAGES |
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THE TRUTH OF THE LIE |
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MADELEINE PHOTOS |
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NEWS JANUARY 2010 |
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http://www.roofgardens.virgin.com/en/the_roof_gardens/events
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